In the following contribution Graham Wilson analyses this literary work and makes practical suggestions for the advanced foreign language classroom. The plot develops chronologically, and thus there are no complicated literary flashbacks. English lends itself to identification by the pupils.
Go to the cook and learn your duties. He was stronger than I, that was all. But it was very unreal at the time. It is no less unreal now that I look back upon it.
It will always be to me as a monstrous, inconceivable thing, a horrible nightmare. Now that we've everything cleaned up, we'll have the funeral and get the decks cleared of useless lumber. On each side the deck, against the rail, and bottoms up, were lashed a number of small boats.
Several men picked up the hatch-cover with its ghastly freight, carried it to the lee side, and rested it on the boats, the feet pointing overboard. To the feet was attached the sack of coal which the cook had fetched.
I had always conceived a burial at sea to be a very solemn and awe-inspiring event, but I was quickly disillusioned, by this burial at any rate. One of the hunters, a little dark-eyed man whom his mates called 'Smoke,' was telling stories liberally intersprinkled with oaths and obscenities; and every minute or so the group of hunters gave mouth to a laughter that sounded to me like a chorus of wolves.
The sailors trooped noisily aft, some of the watch below running the sleep from their eyes, and talked in low tones together. There was an Bless me ultima character analysis essay and worried expression on their faces. It was evident that they did not like the outlook of a voyage under such a captain and begun so inauspiciously.
From time to time they stole glances at Wolf Larsen, and I could see that they were apprehensive of the man. He stepped up to the hatch-cover, and all caps came off. I ran my eyes over them- twenty men all told, twenty-two, including the man at the wheel and myself.
I was pardonably curious in my survey, for it appeared my fate to be pent up with them on this miniature floating world for I knew not how many weeks or months. The sailors, in the main, were English and Scandinavian, and their faces seemed of the heavy, stolid order.
The hunters, on the other hand, had stronger and more diversified faces, with hard lines and the marks of the free play of passions. Strange to say, and I noted it at once, Wolf Larsen's features showed no such evil stamp.
There seemed nothing vicious in them. True, there were lines, but they were the lines of decision and firmness. It seemed, rather, a frank and open countenance, which frankness or openness was enhanced by the fact that he was smooth-shaven. I could hardly believe, until the next incident occurred, that it was the face of a man who could behave as he had behaved to the cabin-boy.
At this moment, as he opened his mouth to speak, puff after puff struck the schooner and pressed her side under. The wind shrieked a wild song through the rigging. Some of the hunters glanced anxiously aloft. The whole lee rail, where the dead man lay, was buried in the sea, and as the schooner lifted and righted, the water swept across the deck, wetting us above our shoe-tops.
A shower of rain drove down upon us, each drop stinging like a hailstone. As it passed, Wolf Larsen began to speak, the bareheaded men swaying in unison to the heave and lunge of the deck. The men holding the hatch-cover seemed perplexed, puzzled no doubt by the briefness of the ceremony.
He burst upon them in a fury. What the - 's the matter with you? The coal at his feet dragged him down. Get in the topsails and outer jibs.
We're in for a sou'easter. Reef the jib and the mainsail, too, while you're about it. But it was the heartlessness of it that especially struck me.
The dead man was an episode that was past, an incident that was dropped, in a canvas covering with a sack of coal, while the ship sped along and her work went on.
Nobody had been affected. The hunters were laughing at a fresh story of Smoke's; the men pulling and hauling, and two of them climbing aloft; Wolf Larsen was studying the clouding sky to windward; and the dead man, buried sordidly, and sinking down, down-Then it was that the cruelty of the sea, its relentlessness and awfulness, rushed upon me.
Life had become cheap and tawdry, a beastly and inarticulate thing, a soulless stirring of the ooze and slime.Life of Pi is a novel by Yann Martel. Life of Pi study guide contains a biography of author Yann Martel, literature essays, quiz questions, major themes, characters, and a full summary and analysis.
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An Analysis of The House on Mango Street - An Analysis of The House on Mango Street In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens.
Full Glossary for Bless Me, Ultima; Essay Questions; Cite this Literature Note; Character Analysis Antonio Bookmark this page Manage My Reading List. Antonio. 1 Liverpool 'And, darling ' It was dear old Prince Max von Hohenlohe-Langenburg, fat and twinkly in his decorations, sitting on my left at a gala dinner in the south of Spain.